‘#post-internet’ lays bare expressions of self-identity, anxiety, and social trust; and the way we erode memory and nostalgia. To the Collection, the Internet became ‘post’ in the early 2000s, as western governments truced a trade-off between social safety and individual privacy following the tragic fall of the twin towers in New York. What it exposed was a snow ball of politically induced exploits, questions of morality, and societal debates between anonymity and public security. What does it mean to be an internet-raised individual? That’s the question the exhibition asks. 

‘#postinternet’ presents nine works by nine different artists from Australia, China, Colombia, Hong Kong, and the United States of America, with each work depicting a thoughtful interpretation of our current global, digital existence.